Notes on Deconstructing a Story Speech

This note is based on my reading of the book Connect Using Humor and Story_ How I Got 18 Laughs 3 Applauses in a 7 Minute Persuasive Speech by Ramakrishna, as well as other books and sources.


1. The Story

Always try to identify the type of story presented in the speech.

7 classic types of storyline for adventures and heroes

from 一页纸创意思考术
  • 回家 Returning home
    Back to the previous spot
    Related to family and carefree stage

  • 得胜 Victory
    Pursuit excellency
    Defeat all enemies

  • 复仇 Revenge
    Defeat and revenge on competitor
    Final victory
    Self-development through competing

  • 屠龙 Dragonslayer
    Defeat impossible barricade and obstacle
    Defeat the environmental and non-human difficulties

  • 重生 Reborn
    Changes and transformation
    Wait silence and change

  • 寻爱 Journey for love
    Motivation based on love itself
    Help others to find love

  • 登山 Climbing a mountain
    Spend long years on things and step by step to achieve the goal

4C in story design

  • conflict
  • character
  • causality
  • complication

2. The Roles in a story

  • Protagonist
  • Antoganist
  • Supporting character

3. Structure a story

  • A story should involve multiple conflicts
    In conflicts, solutions and related obstacles will be repeated again and again. Therefore they could be used to engage audiences.
  • Showcase the final changes
    The final changes and decisive conflict will be the key to the story. Need to develop a believable explanation with the core message of the story.

4. Management of audiences' expectation and empathy

  • Work along audiences' expectation and unexpectation to create humor lines
  • Work with expectation: related to audiences and shorten the distances
  • Work with unexpectation: create humor and engage audiences
  • Create a list of what is expected and not expected of your audiences and then make use of them to create speech lines

5. Rhetoric devices in a speech

  • Rule of the three: expected, expected, unexpected
  • Presenting different perspectives: avoid preaching and bragging, figuring out the story with audiences
  • Dialogue: no more than two rounds of dialogue, make it short. Use it to deliver the core message
  • Visualize your speech: play around the five different senses
  • Alliteration: the occurrence of the same letter or sound at the beginning of adjacent or closely connected words. To engage audiences and their expectation.
  • Anaphora and epistrophe: same words at the beginning or the end to engage the audiences
  • Simile and parallel
  • Non-verbal expression instead of verbal description

6. Core Message

  • Use the story and the final change to showcase the core message
  • Avoid unfold the core message yourself, use dialogue or others
  • Use metaphor in the speech and repeat it, appealing to audiences five senses to make it stick
  • Catchphrase
  • Structure here: story, core message, connection to audiences (application of the message )

7. Editing

  • Keep the description and narrative short and keep every sentence count
  • value the pause and silence to allow audiences to imagine

8. Equation for creating laugh lines

“Premise + Pause + Punch Line + Pause = Laughter”
e.g.
“People exaggerate that parents in India pressure their children to only become a doctor or an engineer. That’s not true. They don’t just pressure. <Pause 1> They blackmail <Pause 2>.”

Punch Line should create surprise by saying something contrary to the audience’s expectation.

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