都是感謝
一路上的《潮騷》因為有你⋯所以美好。
文字是用來寫下
曾經的心情
畫畫是用來
訴求看見美好的探索
哭的時候
文字真寫不出來
看見未來卻可以用畫筆
肆無忌憚的畫下來
文字感動直接而且有力量
畫畫卻在路上
尋找共鳴的心情
我們對於美好的未來
有渴望
不是批判環境
是自我內心的檢視
我只是在路上
尋找另一種表達方式
所以不畫著別人的曾經
不走別人的後影
一種不被約束的自我
一種屬於自己的語言
看山似山看水似水
只是相似而已
我不奪自然的美景
因為
無法超越
若沒有寄語的心情
所有的畫
都是一種扭曲自然的手段
再美也美不過自然的存在
再多的讚嘆
不過是像與不像
之間的爭議
賞美不難
難在人心的框架
緊緊的拴住
自由意識的奔放
怕掌聲少了
怕不被看見及
不被認同的眼光
他
不懂
你
你無須害怕
《潮騷～蔡振源》
Chaosao, one year old
Writings are applied for
the mood what I experienced
Paintings are used to press the exploration of the beauty what I witnessed
When I am crying
I can write nothing
But when I look into the future
I can recklessly paint with brushes
Writings generate direct and powerful touches
While paintings are on their own way
Searching for the resonant mood
As eagerness is deposited nicely in tomorrow day
Without critisizing the environment
I just review myself in my heart
I am on the road
Searching for another expressing way
Therefore
Never paint other's past
Never follow other's footprint
Only be myself freedom
Only use my own expression
Mountain looks like mountain
Water looks like water
It is only similar
I do not take advantage of the natural beauty
Because
The beauty is never surpassed
Without a message to express my mood
All paintings are means for natiure's distortions
No beauty can surpass the natural exists
Any admiration is the dispution
For the likeness or the Unlikeness
Appreciating the beauty is not a difficult thing
The difficulty is
the framework of heart ties tightly the wildness of free sense
Being afraid of loosing applause
Being afraid of unseening and rejective sights
Man
Does not understand
you
You needest not in scaredness
《杜宇～英譯》
