梵高作品的创作主题
The theme of the creation of Van Gogh's works
梵高的作品中充满天然的悲悯情怀和苦难意识。例如在梵高艺术生涯的初期，绘画最多的题材是矿区阴惨的场景和劳作的矿工。在埃顿时期，落日的翻滚、日里的农夫和农妇更多出现在他作品中。
Van Gogh's works are full of natural feelings of compassion and suffering. For example, in the early days of Van Gogh's artistic career, the most popular subjects were the gloomy scenes of the mining area and the miners working. During the ADEN period, the tumbling of the setting sun, the farmers and peasant women in the day appeared more in his works.
到多伦特和海牙时期，梵高的作品中开始频繁出现哭泣的女人、足两姗的老树以及城市救济院中的老人孤儿、驾车的老马、劳作的农夫等等。
During the period of Dorente and The Hague, there were frequent crying women, old trees and old orphans in urban almshouses, old horses driving, working farmers, etc. in Van Gogh's works.
梵高的创作题材
The theme of van Gogh's creation
梵高对农民、对田野生活、对乡村田野风光有着很高的热情，他喜爱农民的一切，尤其是向日葵、麦田、莺尾花、豌豆花等。他经常选取这些散发着泥土清香的物象作为自己的绘画题材，在他短暂的艺术生涯中，梵高凭借着自己敏锐的艺术感知力深情地、细致地描绘着这些质朴、自然的风景、静物及人物，他也因此被称为“画家中最纯粹的画家”。与那些华丽璀璨的绘画相比，梵高的画更多的是朴实和隽永，他将自己无限的激情倾注于这些朴素的花朵和田野生活中，使画作产生了一种无法超越、无法模仿的艺术魔力。
Van Gogh has a high enthusiasm for the peasants, the field life, and the rural landscape. He loves all the peasants, especially sunflowers, wheat fields, irises, peas and so on. He often chooses these images of earthy fragrance as his own painting theme. In his short artistic career, Van Gogh vividly and meticulously portrays these simple and natural landscapes and still lifes with his keen artistic perception. The character, he is therefore called "the purest painter of the painter."
Compared with those gorgeous paintings, Van Gogh's paintings are more simple and timeless. He devoted his infinite passion to these simple flowers and field life, which made the paintings an art that cannot be surpassed and cannot be imitated. magic.
梵高曾经画过许多有关向日葵的画，虽然每次绘制的向日葵数目不一样，花朵的姿态也都不一样，但是它们都体现出了一种饱满和劲头。
Van Gogh has painted many paintings about sunflowers. Although the number of sunflowers drawn each time is different, the postures of the flowers are different, but they all show a fullness and strength.
此外，梵高还经常选用麦田作为自己的绘画题材，从他所描绘的各式麦田的画作似乎可以感知到麦田里所散发出的一兹兹悲沧之情。如梵高创作于奥维尔的《乌云笼罩下的麦田》就是以恶劣天气下连绵不绝的麦田作为题材，传递出了凄凉、寂寥、压抑和苦闷的情感。
In addition, Van Gogh often uses wheat fields as his own painting theme. From the paintings of various wheat fields he depicts, it seems that he can perceive the grief of the rags in the wheat fields. For example, Van Gogh's "Wheat Field under the Clouds" created by Orville is a theme of the endless field of wheat in bad weather, conveying the feelings of desolateness, loneliness, depression and depression.
再如，《有乌鸦的麦田》也是以麦田作为主要题材，并在麦田上方加入了一群黑黑的乌鸦，从而呈现出了一种深深的绝望和死一般的沉寂之情。当然，除了这两种题材之外，梵高的绘画还涉及到许多题材物象，但无一例外，它们都是质朴无华的，是和生活紧密相关的。
For another example, "The Raven's Wheat Field" also uses the wheat field as the main theme, and a group of black crows are added above the wheat field, thus showing a deep despair and a dead silence. Of course, in addition to these two themes, Van Gogh's paintings involve many subject matter, but without exception, they are all plain and unrelated, and are closely related to life.
梵高的创作色彩
Van Gogh's creative color
梵高是一位色彩主义画家，他对色彩的偏好几乎达到了一种癫狂的状态，这虽然与他的精神疾病有着一定的联系，但是也不能否认梵高对于色彩的创造性的发现和表现。他的画作中的色彩都是较为奔放、夸张的，这也深深地影响了20世纪的表现主义和野兽派绘画。
Van Gogh is a colorist painter. His preference for color has reached a state of madness. Although it has a certain connection with his mental illness, he cannot deny Van Gogh's creative discovery and expression of color. The colors in his paintings are more unrestrained and exaggerated, which also deeply influenced the expressionism and Fauvism paintings of the 20th century.
具体而言，梵高画作中奔放的色彩主要表现在以下三个方面:
Specifically, the unrestrained colors in Van Gogh's paintings are mainly reflected in the following three aspects:
第一，用光亮明快的夸张色彩进行装饰。受新印象派画家毕沙罗、修拉等色彩技法的影响，梵高摒弃了绘画初期暗浊、沉重的色彩，开始采用一些高明度、高纯度、高亮度的色彩，创作出了一种极具现代感和时尚感的色彩装饰效果，他的油画也因此越发鲜亮起来。在所有的高纯度、高亮度的色彩之中，梵高最偏爱黄色，简单明了的黄色带有另外一层寓意，即象征着太阳和大地，代表着光明和希望。在黄色的带动之卜，梵高绘画作品的色彩明度和纯度对比都十分鲜明，产生了一种光亮明快的装饰美感。例如，梵高的《向日葵》就是以大面积的黄色作为主要基调，然后配以土黄色、柠檬黄及中黄色等，使观众产生一种五彩缤纷、璀璨炫目的视觉感受，也表现出了梵高对美好生活的向往。
First, decorate with bright and exaggerated colors. Influenced by the new impressionist painters Pissarro and Shura, Van Gogh abandoned the opaque and heavy colors in the early days of painting and began to use some high-definition, high-purity and high-brightness colors to create a kind of The modern and stylish color decoration effect, his oil painting is therefore more and more bright. Among all the high-purity, high-brightness colors, Van Gogh prefers yellow.
The simple and clear yellow has another layer of meaning, which symbolizes the sun and the earth, and represents light and hope. In the yellow driving, the color brightness and purity contrast of Van Gogh's paintings are very clear, resulting in a bright and bright decorative aesthetic. For example, Van Gogh's "Sunflower" is based on a large area of yellow, and then with khaki, lemon yellow and medium yellow, so that the audience will produce a colorful, dazzling visual experience, but also shows Van Gogh's beauty Yearning for life.
第二，用大色块的对比进行装饰。在装饰色彩中，大色块的并置对比是一种非常重要的表现手法，虽然这一表现手法早在梵高之前就己经提出，但在梵高的绘画中得到了最淋漓尽致的表现。梵高画作中的对比色常常是大块的且较为平整的，既简化概括，又能够增加画面的厚重感，而且借助色块的对比还可以产生一种和谐的视觉效果。例如，《夜晚的咖啡馆——室外景》就是用大色块的对比色进行装饰，黄橙色的灯光和深蓝色的夜空相互对比，使画面产生了一种纵深感，同时也生动地描绘出了人们的夜生活。
Second, decorate with the contrast of large color blocks. In decorative colors, the juxtaposition of large color blocks is a very important expression technique. Although this expression technique has been proposed before Van Gogh, it has achieved the most vivid performance in Van Gogh's paintings. The contrast colors in Van Gogh's paintings are often large and flat, simplifying the generalization and increasing the thickness of the picture, and the contrast of the color blocks can also produce a harmonious visual effect.
For example, "The Cafe in the Night - Outdoor Scenery" is decorated with contrasting colors of large color blocks. The yellow-orange lights and the dark blue night sky contrast with each other, giving the picture a sense of depth and vividly depicting it. People's nightlife.
第三，用绝对的黑白色进行缓冲。在绘画过程中，梵高除了追求画面色彩的明亮欢快及色块对比之外，还经常用黑白色来缓冲、协调色彩，其常常和对比色出现在同一个场景中。以《播种者》为例，画面分为上、下两个部分，上半部分是鲜亮的黄色，下半部分是明亮的紫色，两种颜色对比非常强烈，过渡也比较直接，会对受众的眼睛产生刺激。而梵高将画面中播种者的长裤画为白色，在黄色和紫色之间产生了一个隔断，受众的眼睛也得以获得片刻的休息。
third
Buffer with absolute black and white.
In the course of painting,
Van Gogh, in addition to his pursuit of bright and cheerful colors and color contrast,
Black and white are often used to buffer and coordinate colors, which often appear in the same scene as contrasting colors.Taking the sower as an example, the picture is divided into two parts, the upper part is bright yellow, the lower part is bright purple, the two colors are very strong, the transition is more direct.Will stimulate the eyes of the audience.Van Gogh painted the sower's trousers white, creating a gap between yellow and purple, and allowing the audience's eyes to rest for a moment.
图片文字资料来自网络，经言子涵整理翻译。
分享内容仅为学习交流，作品资料版权归原作者所有。谢谢！
The picture text data comes from the Internet, and the translation is translated by the words.
The content of the sharing is only for learning and communication, and the copyright of the works is owned by the original author. Thank you!
