陶瓷是泥土在火焰中淬炼，需要泥和窑的配合，才能实现。这中间最为重要的除了泥和窑外，还有人的关系。人的因素才是陶艺里的灵魂。
在我们中华的陶瓷史上，只有在宋时的官窑，才能看到陶艺的影子，它也不是持久的存在，而是一个文人皇帝透过他喜好的昙花一现。中国人掌握的窑的结构，这个结构就是为了青瓷产生的。有了这个窑，才有了后来的青瓷文化。
相传宋徽宗曾做过一个梦，梦到雨过天晴，远处天空的天青色，醒后他要求造瓷“雨过天晴云破处”，发誓要让工匠烧制出这样令其着迷的瓷器，最后汝州工匠技高一筹，从此，世上多了一种传世瓷器——汝窑瓷器，天青色釉也成为汝窑瓷器的典型特征。
徽宗不曾想到，宋的天下由他玩物而丧，而他超越一切皇帝的文人艺术品味，却在千年之后征服全世界。只有重回北宋末年，才能深入感受当时的皇帝、朝政、造纸、陶瓷、书画艺术等等方面，重回汝窑里看宋徽宗的天人合一的陶瓷艺术。汝官窑的诞生，不得不说是：北宋徽宗的一大艺术成就。
往事如尘烟，迷雾里，我们看到陶瓷的烧造不是一个人的行为，是集体的智慧与时间的积累，在某一个时点的神奇交汇。陶瓷史上出现的短暂造诣高峰，也是因为文人皇帝不惜重金，高端定瓷的要求，才成就了非凡的汉民族陶瓷艺术精品的诞生。
（图、文/净亦）
Ceramics are clay quenched in flames and need clay and kiln coordination. The most important of all, besides mud and kiln, is human relation. The human element is the spirit of pottery.
In the history of our Chinese ceramics, only in the Song Dynasty kilns, pottery to see the shadow, it is not a lasting presence, but a scholar he likes the emperor through the flower briefly as the broad-leaved epiphyllum. The structure of the kiln that the Chinese have mastered is the structure of the celadon. With this kiln, the later celadon culture came into being.
According to legend, Emperor Huizong had a dream, dream of the blue sky in the distance After rain the sky looks blue., wake up, he made porcelain "cloud After rain the sky looks blue. vowed to" burn out such obsessive artisan craftsman of Ruzhou porcelain, finally came out on top, then, much of the world one world porcelain - Ru porcelain, blue sky the glaze has become typical characteristics of Ru porcelain.
He never imagined that the world of song would be lost by his plaything, while he surpassed all the literati's artistic taste of the emperor, but conquered the whole world in a thousand years. Only to return to the Northern Song Dynasty, in order to further feelings at the time of the emperor, imperial government, papermaking, ceramics, painting and calligraphy art and so on, to see Ru Huizong's harmony ceramic art. The birth of Ru kiln, have to say is: a great artistic achievements of the Northern Song Dynasty emperor huizong.
Events such as smoke and dust, mist, we see ceramics is not a person's behavior, is the accumulation of collective wisdom and time, at a certain point in the intersection of magic. In the history of ceramics, the peak of short attainments was also made, because the literati and emperors spared no expense and decided the requirements of high-end porcelain, which resulted in the birth of a special ceramic art of Han nationality.
