中国当代艺术作为美学形态，具有鲜活的文化内涵和丰富的外延张力，它是社会结构的文明样本之一，如何在当代视角下，对大众美学观念，进行有效的跨界性关照，具有重要意义。
当代艺术已完全融汇到大文化的框架结构中，并呈现出全新的视觉化趋势和发展方向。同时，它又在一个具有多年艺术实践群体的推动下，从一个相对成熟的体系，使更大规模的转换变为可能。
当代艺术美学，贯穿着生活美学与文化的关系，它是延续文脉的再生内容。中国当代人文条件得天独厚，尽管美学思想多以个体或碎片化的方式，与大众保持着一定的距离，但已明确表现出多种可介入的契机。
然而，需要说明的是：艺术形态与大众美学之间，需要保持相对良好的平衡或一致，方可促使公共美学意识，形成可预见性的整体提升和改变。
Chinese contemporary art, as an aesthetic form, has fresh cultural connotation and rich extensional tension. It is one of the civilized samples of social structure. It is of great significance to effectively take care of the public aesthetic concept from the contemporary perspective.
Contemporary art has been completely integrated into the framework of the big culture, and presents a new visual trend and development direction. At the same time, it has been promoted by a group with many years of artistic practice, from a relatively mature system, making it possible to transform on a larger scale.
Contemporary art aesthetics, running through the relationship between life aesthetics and culture, is the renewal of the context of the content. Chinese contemporary cultural conditions are unique, although the aesthetic thoughts in the way of individual or fragmented, and keep a certain distance from the public, but has clearly shown a variety of opportunities for intervention.
However, it needs to be explained that a relatively good balance or consistency between artistic form and popular aesthetics is needed to promote public aesthetic consciousness and form the overall improvement and change of predictability.
编辑：一木
Editor: Ichiki
