练习材料
Lesson 21-2 William S. Hart and the early 'Western' film
And although no period or place in American history has been more absurdly romanticized, myth and reality did join hands in at least one arena, the conflict between the individual and encroaching civilization.
Men accustomed to struggling for survival against the elements and Indians were bewildered by politicians, bankers and businessmen, and unhorsed by fences, laws and alien taboos. Hart's good-bad man was always an outsider, always one of the disinherited, and if he found it necessary to shoot a sheriff or rob a bank along the way, his early audiences found it easy to understand and forgive, especially when it was Hart who, in the end, overcame the attacking Indians.
Audiences in the second decade of the twentieth century found it pleasant to escape to a time when life, though hard, was relatively simple. We still do; living in a world in which undeclared aggression, war, hypocrisy, chicanery, anarchy and impending immolation are part of our daily lives, we all want a code to live by.
/ˈlɛsən/ 21-2 /ˈwɪljəm/ /ɛs/. /hɑrt/ /ænd/ /ði/ /ˈɜrli/ /ˈwɛstərn/ /fɪlm/
/ænd/ /ˌɔlˈðoʊ/ /noʊ/ /ˈpɪriəd/ /ɔr/ /pleɪs/ /ɪn/ /əˈmɛrəkən/ /ˈhɪstəri/ /hæz/ /bɪn/ /mɔr/ /əbˈsɜrdli/ /roʊˈmæntəˌsaɪzd/, /mɪθ/ /ænd/ /ˌriˈæləˌti/ /dɪd/ /ʤɔɪn/ /hændz/ /ɪn/ /æt/ /list/ /wʌn/ /əˈrinə/, /ðə/ /ˈkɑnflɪkt/ /bɪˈtwin/ /ði/ /ˌɪndəˈvɪʤəwəl/ /ænd/ /ɪnˈkroʊʧɪŋ/ /ˌsɪvəlɪˈzeɪʃən/.
/mɛn/ /əˈkʌstəmd/ /tu/ /ˈstrʌgəlɪŋ/ /fɔr/ /sərˈvaɪvəl/ /əˈgɛnst/ /ði/ /ˈɛləmənts/ /ænd/ /ˈɪndiənz/ /wɜr/ /bɪˈwɪldərd/ /baɪ/ /ˌpɑləˈtɪʃənz/, /ˈbæŋkərz/ /ænd/ /ˈbɪznɪˌsmɛn/, /ænd/ /ənˈhɔrst/ /baɪ/ /ˈfɛnsəz/, /lɔz/ /ænd/ /ˈeɪliən/ /tæˈbuz/. /hɑrts/ /gʊd/-/bæd/ /mən/ /wʌz/ /ˈɔlˌweɪz/ /ən/ /aʊtˈsaɪdər/, /ˈɔlˌweɪz/ /wʌn/ /ʌv/ /ðə/ disinherited, /ænd/ /ɪf/ /hi/ /faʊnd/ /ɪt/ /ˈnɛsəˌsɛri/ /tu/ /ʃut/ /ə/ /ˈʃɛrəf/ /ɔr/ /rɑb/ /ə/ /bæŋk/ /əˈlɔŋ/ /ðə/ /weɪ/, /hɪz/ /ˈɜrli/ /ˈɑdiənsəz/ /faʊnd/ /ɪt/ /ˈizi/ /tu/ /ˌʌndərˈstænd/ /ænd/ /fərˈgɪv/, /əˈspɛʃli/ /wɛn/ /ɪt/ /wʌz/ /hɑrt/ /hu/, /ɪn/ /ði/ /ɛnd/, /ˈoʊvərˈkeɪm/ /ði/ /əˈtækɪŋ/ /ˈɪndiənz/.
/ˈɑdiənsəz/ /ɪn/ /ðə/ /ˈsɛkənd/ /dɛˈkeɪd/ /ʌv/ /ðə/ /ˈtwɛntiəθ/ /ˈsɛnʧəri/ /faʊnd/ /ɪt/ /ˈplɛzənt/ /tu/ /ɪˈskeɪp/ /tu/ /ə/ /taɪm/ /wɛn/ /laɪf/, /ðoʊ/ /hɑrd/, /wʌz/ /ˈrɛlətɪvli/ /ˈsɪmpəl/. /wi/ /stɪl/ /du/; /ˈlɪvɪŋ/ /ɪn/ /ə/ /wɜrld/ /ɪn/ /wɪʧ/ /əndɪˈklɛrd/ /əˈgrɛʃən/, /wɔr/, /hɪˈpɑkrəsi/, /ʃɪˈkeɪnəri/, /ˈænərki/ /ænd/ /ɪmˈpɛndɪŋ/ /ˈɪməˌleɪʃən/ /ɑr/ /pɑrt/ /ʌv/ /ˈaʊər/ /ˈdeɪli/ /lɪvz/, /wi/ /ɔl/ /wɑnt/ /ə/ /koʊd/ /tu/ /lɪv/ /baɪ/.
