孔庆军，中国摄影家，孔子第七十三代世孙。着迷于大自然的光影变幻而独爱风光摄影，曾获得“柯达反转片提名摄影师”，更一直从事商业广告摄影，并成为广告摄影的一方翘楚，影耕不辍三十余载。
Kong qingjun, a Chinese photographer, is the 73rd grandson of Confucius.Fascinated by the changing nature of light and shadow and love landscape photography, "kodak film nominated photographer", has been engaged in commercial advertising photography, and has become a leading advertising photography, the film industry for more than 30 years.
【策展人语】被摄影植入的风景与人
风景本来就在那儿，那的人也在那儿，只是那个地方缺少了一群拿着照相机的人。
自从那群拿着照相机的人闯进那里，风景和人便被植入了菲林，变成了画片的风景和人，开始被其他人认识到熟悉。
1996年前后，那里还不叫“雾凇岛”，人们还习惯把“雾凇”叫“树挂”。那儿的人和风景相互融合着，互不相干着。
也就是那次的闯入，照相机们开始逐渐对那儿的产生了依赖，一卷卷的菲林在“咔嚓”声中被谋杀。
那里的人渐渐地认知了身边的风景，风景也开始知道了自身的价值，在时光中招摇着、舞弄着。
策展人 杨向阳
Landscapes and people imbedded by photographyThe scenery was there, the people were there, but the place was missing a bunch of people with cameras.Since the group with a camera into there, the scenery and people will be implanted film, into the picture of the scenery and people, began to be recognized by others familiar.Around 1996, there is not called "rime island", people also used to "rime" called "tree hanging".The people and the scenery merged with each other.It was the break in, cameras began to rely on there, a roll of film in the "click" sound was murdered.The people there gradually cognized the scenery around them, and the scenery also began to know its own value, flaunting and dancing in the time.
Curator Yang xiangyang
