近年来唐华回到成都开设了她的首间琵琶工作室，继续用她的演奏、教学、以及和其他文化圈的艺术家对话合作的方式传播中国的民族音乐和推广琵琶文化。
经过了不断的沉淀之后，唐华的演奏，不再只是关于技法的展示，开始更多地表达情绪，表达自己对生活和音乐更深层次的理解。
唐华的工作室位于锦江湖畔顺江路81粼江峰阁3栋1805室。
TangHua was raised in a musical family in Chengdu, the capital of Sichuan province in China. She started playing violin at the age of seven, and began pipa, known as the Chinese lute, with her mom when she was nine. After graduating from Sichuan Conservatorium in 1986, she served as a soloist in Central Song and Dance Ensemble (now called Oriental Song and Dance Ensemble) in Beijing. During her time in the ensemble, she participated in all types of performances and concerts. At the same time, she also studied pipa in depth under Professor Wang Fandi, a famous pipa musician.
In 1991, Tang Hua moved to Japan. Since then, she has performed in hundreds of Japanese and international musical festivals and concerts in many places including Tokyo, Osaka, Kobe, Kyoto, Hokkaido , Shikoku，San Francisco, , Hongkong, and Taiwan. From 1991 till 2004, she successfully held 12 recitals in Shikoku, Osaka and Taipei. In Tokyo、Osaka，Takamatsu， she presented pieces of Shinichi Yuize, the master of Modern KOTO, Chinese composer Gao Weijie, and American composer David Loeb. Her performance was well-appreciated by the Japanese musicians and audiences.
In recent years, Tang Hua was invited four times to perform at the international Mandolin Music Festival held by European Mandolin Association. From there, she continued her musical journey in Germany, She held two recitals in Bad Oeynhausen and Wuppertale. In Bamberg and Cologne she preformed with other musicians, and their concerts were highly recognized. Tanghua has worked with Seiha Japanese Mucia Orchestra playing the lute concerto “ The Land of Peach Blossom”. She has also played the concerto “Grassland” with Hongkong Music Lover Chinese Orchestra. In 2004, Tang Hua moved back China. Since then she has continued performing in Chengdu, Japan and Germany, as well as instructing future musicians in pipa.
