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BREATHE LIFE WITH ART
彼得·多伊格
Peter Doig
彼得·多伊格1959年出生于英国苏格兰爱丁堡。彼得·多伊格是当代苏格兰艺术家，被誉为当今最重要的具象画家之一。他的画作的特点是对风景和人物一视同仁，将艺术历史和个人参考融入绘画抽象，构图独特。多伊格的作品通过形成对当代生活的有力而感人的快照——比如童年的滑雪旅行或橙色的独木舟——既具有日记性，又具有普遍意义。
Peter Doig was born in Edinburgh, Scotland, UK in 1959. Peter Doig is a contemporary Scottish artist known as one of the most important figurative painters of today. The characteristic of his paintings is that they treat landscapes and characters equally, integrating artistic history and personal references into the abstract of painting, with a unique composition. Doig's works have both diary and universal significance by creating powerful and touching snapshots of contemporary life, such as childhood skiing trips or orange canoes.
I WALKED ALL THE WAY FROM DALLAS, 1982
White Canoe, 1990-1Oil on Canvas200.5 x 243cm
Grasshopper, 1990Oil on Canvas200 x 250cm
Peter Doig's record-breaking 1991 painting 'The Architect's Home in the Ravine'
在绘画似乎越来越与当代艺术主流无关的时候，有一位艺术家，他对废弃的房屋、冰冻的森林和独木舟上孤独的人物的神秘图像似乎支持传统的绘画价值观——颜色、纹理、空间——同时给他们带来了一种我们这个时代的不安感。
事实上，看着一幅典型的多伊格作品，比如《峡谷中的建筑师之家》，它的树叶网格打破了画作的表面，你会不确定你所看到的是具象的还是抽象的。
“你试图在你的画中创造场景和氛围，”多伊格说，他用自嘲的第二人称指代自己。“我并不是故意阴险，但我一直想画出讲述故事和暗示的画。”At a time when painting appeared increasingly irrelevant to the mainstream of contemporary art, here was an artist whose enigmatic images of abandoned houses, frozen forests and lone figures in canoes seemed to champion traditional painterly values – colour, texture, space – while bringing to them a sense of unease that feels very much of our time.Indeed, looking at a quintessential Doig work, such as The Architect’s Home in the Ravine, with its lattice of foliage breaking up the surface of the painting, you feel unsure whether what you’re looking at is figurative or ultimately abstract.“You try to create scenarios and atmospheres in your paintings,” Doig says, referring to himself in a self-deprecating second person. “I don’t set out to be deliberately sinister, but I always wanted to make paintings that told stories and suggested things.”
Concrete Cabin, 1994Oil on Canvas198 x 275cm
White Creep, 1995-6Oil on Canvas290 x 199cm
Orange Sunshine, 1995Oil on Canvas276 x 201cm
Peter Doig's 'Grand Riviere', an early painting inspired by Trinidad
Blotter, from Ten Etchings, 1996
Canoe-Lake, 1997
Oil on Canvas
200 x 300cm
彼得·多伊格的作品中充斥着魔幻现实主义的主题，捕捉到了完美宁静的永恒时刻，相册记忆在清醒的梦境中进进出出。彼得·多伊格的独木舟取材于他在加拿大的童年，以及13日星期五的一个恐怖场景，成为他作品中的一个开创性形象；他们在水中的倒影，就像一个双重生命，是未知的幻想镜子。独木舟湖以令人不安的完美呈现：不仅捕捉到了围栏上的刺目景色，还捕捉到了在湖面上漂流时奇怪的回声般的寂静，水流的不可能的静止，以及夏末令人讨厌的温暖空气。
Study for Drifter, 1997
Study for Winterpark, 1997
Study for English Garden, 1997
Peter Doig's 'Country Rock' (1998-1999) (PA)
Echo Lake, 2000
Pinto, 2000
Colour Etching
44 × 60 1/2 in | 111.7 × 153.7 cm
Canoe Island, 2000
Gasthof, 2003
Study for "Guru" (Doty Boathouse), 2003
Boathouse (from Black Palms), 2004
Maracas, 2004
Haus der Bilder, 2004
Untitled, 2005
Paragon, 2005
Paragon, 2006
The Wonders of Ski-ing, 2007
Paragrand, 2008
Two Students, 2008
Canoe, 2008
MLTPL | Better Than One
Price on Request
多伊格一开始想成为一名城市流行艺术家，虽然他的艺术一直涉及风景，但它的吸引力在于，它是一种思想艺术，几乎是一种概念艺术，采用了油画的有形感官形式。在艺术似乎几乎放弃了视觉享受的时候，多伊格借鉴了现代大师的作品，他们赞美日常世界的美丽——蒙奇、莫奈、博纳尔、马蒂斯——同时参考了他自己对真实地方的体验。Doig started out wanting to be an urban Pop Artist, and while his art refers continually to landscape, its appeal is that it is an art of ideas, a conceptual art almost, that takes the tangible sensual form of oil painting. At a time when art seems almost to have given up on visual enjoyment, Doig draws on modern masters who celebrated the beauty of the everyday world – Munch, Monet, Bonnard, Matisse – while referring to his own experience of real places.
Fisherman, 2013
Corbeaux, 2013
Etching with aquatint
16 1/2 × 20 in | 41.9 × 50.8 cm
Imaginary Boys, 2013
CLOUD ILLUSIONS I RECALL, 2013
Painting a Cloud on a Wall, 2016
Two People at Night (indigo) , 2016
Bather for Secession, 2020
Gornergrat Yellow Sky, 2021
Young Zermatt Skiers (night), 2021
Gornergrat Sahara Dust, 2021
D1-6 Holy Mountain (from Zermatt), 2022
D1-5 Alpinist Night (from Zermatt), 2022
Zermatt D1-1 Couloir 1, 2022
D1-4. Road to Zermatt, 2022
Night Studio, Study, 2023
他认为自己是一名城市画家，现在他看到了在他生命的大部分时间里围绕着他的风景中的潜力，但他甚至从未将其视为绘画的主题。
彼得・多伊格：“我开始去特拉法加广场的加拿大之家，看关于加拿大偏远地区钓鱼旅行的旅游传单，黄昏时人们坐在独木舟上的照片，这些照片最初可能受到了绘画的影响，媚俗，但也很浪漫。我开始用它们作画。”
Having thought of himself as an urban painter, he now saw potential in the landscapes that had surrounded him for much of his life, but which he had never even considered as subject matter for painting. Peter Doig:“I began going to Canada House in Trafalgar Square, and looking at tourist leaflets about fishing trips in remote areas of Canada, images of people in canoes at dusk, which had probably been influenced by paintings in the first place, kitsch, but also romantic. I started to make paintings from them.”
