（九）虚实空间打造游梦之境

“追梦”生活艺术展厅，广东 / 艾克建筑设计

项目标签

设计公司:艾克建筑设计

位置:中国

类型:建筑

材料:混凝土乳胶漆塑胶地面

标签:Guangdong Interior design Shantou 室内设计广东汕头

分类:展示间展览空间

感谢AD ARCHITECTURE 予gooood分享以下内容。更多关于：AD ARCHITECTURE on gooood.

Appreciation towardsAD ARCHITECTURE for providing the following description:

“灰色空间中，一轮红色陀螺绕着中心支点高速转动着，边沿引力持续生成与中心支撑相互抗拒着，凝视在无尽的旋转中，让人坠入梦境的深渊，神秘、幽暗、迷离重叠……”，人皆有梦，这是一种虚幻却真实的体验，近乎梦境为思考无限提供了更多的空间，超越了现实空间界限，在梦境中追逐、探索与征服，反观人格中的本我、自我与超我，或许这亦是现实生活中沉思的邀请，便有了追梦。

“In the gray space, a red gyro rotates at a high speed around the center fulcrum. The gravitational force at the edge continues to be generated and resists the center support. A gaze in the endless rotation causes people to fall into the abyss of dreams, mysterious, dark and overlapping…”, everyone has a dream, which is an illusory yet real experience. Dreams provide more space for people to think about infinity, transcending the boundaries of real space, chasing, exploring and conquering in dreams while looking backward at the self and superego in personality. Perhaps it is also an encouragement for people to contemplate in real life. And that’s why we call it Dreams-Chasing.

▼视频，video

追梦∣生活艺术展厅_腾讯视频

项目位于郊区一座卖场的楼层内，空间目标主要用于展示家具和床垫，设计师将其定义为生活艺术展厅。场地为东西向狭长的矩形空间，标准型柱网结构，南北墙面窗户均匀分布，空间形式单一。基于对空间的巧思构想，设计师将项目背景推向梦境边沿，借“以物为实，空间为虚，游梦为境”的概念，探讨有限空间结构条件下，多元意义的展厅空间。

The project is located inside a mall in the suburbs. The space is mainly targeted for displaying furniture and mattresses. The designer defines it as life & art showroom. The site is a narrow rectangular space in east-west direction, with a standard column grid structure and evenly distributed windows on the north and south walls, resulting in a single spatial form. Based on the ingenious conception of space, the designer pushes the background of the project to the edge of the dream, and explores the diverse meanings of showroom space under the condition of limited space structure through the concept of “taking objects as reality, space as virtual, and dreams as the world”.

▼空间重构详解图，the detailed diagram of the spatial restructuring

通过对形体体量细化，多变的几何形体既作为空间分割又独立于空间中。圆弧形体，使充满张力的空间增强了趣味，缺失的洞口，既暗示着每一个未知空间的开始，又使空间相互渗透。倾斜的墙体，指向未知的边缘。多重形体及空间的叠加下，将观者引向梦境与现实之间。空间不再局限展示，更是一个能被感知的空间，从而产生主观的体验和记忆。

▼前台，圆弧墙体使充满张力的空间增强了趣味，the reception, the arc-shaped wall adds fun to the space that is filled with tension

▼从休息区看前台，viewing from the rest area to the reception

▼放映区，圆弧墙体使充满张力的空间增强了趣味，reflecting area, the arc-shaped form adds fun to the space that is filled with tension

▼床垫展示区，展厅内的倾斜墙体指向未知的边缘，mattress display area, the sloping wall seems to point to an unknown edge

By refining the volume of the form, the versatile geometry functions as division of space while independent from the space. The arc-shaped form adds fun to the space that is filled with tension, and the missing hole not only implies the beginning of each unknown space, but also allows the spaces to penetrate each other. A sloping wall seems to point to an unknown edge. Under the superposition of multiple forms and spaces, the viewers are guided into a world between dream and reality. The space is no longer limited to displaying, instead it is a space that can be perceived, thus generating subjective experience and memory.

▼家具展示区，圆弧墙体上缺失的洞口既暗示着一个未知空间的开始，又使空间相互渗透，the furniture display area, the missing hole on the arc-shaped wall not only implies the beginning of each unknown space, but also allows the spaces to penetrate each other

空间为虚。事实上，虚是一种状态，在这种空间状态下，叙事被允许不按事件发生顺序呈现，为规避单一线性空间形态，设计起初将空间中与结构结合的非承重隔墙打开，简洁、纯粹的几何形体穿插结构框架中，原始空间被分解重构，创造出形态各异又相互连接的空间，既内又外，空间界限模糊。

Space is virtual. In fact, in the virtual state, the narratives are allowed not to be presented in the order of events. To avoid a single linear space form, the design opens the non-load-bearing partition wall that combines the structure from the very beginning. Simple and pure geometrical form is interspersed in the framework of structure, and the original space is decomposed and reconstructed, creating spaces of different shapes and interconnections, both inside and outside, thus the boundaries of space are blurred.

▼家具展示区，简洁、纯粹的几何形体穿插展厅的结构框架中，the furniture display area, simple and pure geometrical form is interspersed in the framework of structure

以物为实。从空间记忆走向共情，物是生活的精神载体，是观者在空间中的信物，情感的延续，以自由的形式呈现，将生活流露于空间之中，回归生活的本质。游梦为境，观者自观。

Objects as reality. From spatial memory to empathy, objects are the spiritual carrier of life, the viewers’ token in space, and the continuation of emotions, presented in the form of freedom, revealing life in space and returning to the essence of life. Take dreams as the world, where the viewers are in self-observation.

▼展厅空间细节，静谧的光影空间，details of the exhibition space with a light and shadow effect