除夕，大年初一，元宵，正月，其间的日子，影响着整个中国的传统节日，所有的从古留下来的这些在传统节日里的纪念仪式，构成了传统的春节。
但是，这些传统喜庆节日里所有的礼仪，追问到其最根本存在的逻辑基础，都是跟土地有关，都是农耕有关，都是与农耕文明中心化有关。
今天是大年初一。在中国台湾海峡南岸的邻海城市--莆田，开始了从农耕文明中心化时代延续下来的正月狂欢节。这一个月的狂欢节，在开始的几天，插入了一曲与海有关的节日：除夕贴白头红联，初一走亲，初二不访亲走戚，初三重新准备，初四再补过一个年。
为什么要补过一个年，这件事要追溯400多年前，台湾海峡上的倭寇在大年初一入侵兴化城的历史有关。
400年前的这件事情，给妈祖故乡的莆仙平原，留下了深刻的印象，许多的节日传说，习俗，都能与那段历史扯上关系，经过了400年之后，我们是否能重新面对这段历史。用新的思考维度，用到海上去的思维结构，来看待这些以节日方式凝固在时空之中，不断反复出现节日仪式，所留下的思维模型呢？
New Year's Eve, the first day of the Lunar New year, the Lantern Festival, the first month, the days between which affect the traditional festivals of the whole of China, all the commemorative ceremonies left behind from ancient times in the traditional festivals constitute the traditional Spring Festival.
However, all the etiquette in these traditional festive festivals, asking about the most fundamental logical basis of their existence, are related to land, farming, and the centralization of farming civilization.
Today is the first day of the New year. Putian, a city bordering the south bank of Taiwan Strait, began the first moon carnival, which continues from the era of the centralization of farming civilization. This month's carnival, in the beginning of a few days, inserted a festival related to the sea: New Year's Eve posted white-headed red couplets, left relatives in the first year of junior high school, did not visit relatives in the second year of junior high school, re-prepared in the third year, and made up for another year in the fourth year of junior high school.
Why should it be made up for a year? this goes back more than 400 years ago, when the Japanese invading Xinghua City on the first day of the Lunar New year had something to do with the history of the Japanese invading Xinghua City on the first day of the Lunar New year.
400 years ago, this incident left a deep impression on Puxian Plain, Mazu's hometown. Many holiday legends and customs can have something to do with that period of history. After 400 years, whether we can face this history again. With the new thinking dimension, using the thinking structure of going to the sea, to look at these in the holiday way solidified in time and space, constantly repeated festival ceremony, left behind the thinking model?
